
Wes Anderson and his level of twee is not for everyone. There are apparently viewers who don't like their comedies brimming with quirky charm, deadpan absurdity, and perfectly balanced cinematography. For them, Rob Schneider is probably still making movies somewhere. But for the rest of us who do appreciate Anderson's particularly particular brand of cinema, there's plenty to love across 30 years of movie-making, including his oddball characters (and their inevitably fraught familial relationships), his winking approach to naming them and the places they inhabit, and his marvelously detailed mise-en-scéne.
There are few working directors with an idiosyncratic style that is so immediately recognizable and imitated (but never equaled, despite the
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5 months ago
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